E che dire signori, ormai siamo nel vivo della gara! Ormai siamo tutti una squadra, una famiglia! Si riesce a passare sopra a tutti gli incovenienti, a tutta la cattiva organizzazione, a tutti gli strafalcioni e le gaffes. Vorrei già vivere con loro, con tutti e 5. Non c'è una canzone che venga presentata senza intoppo o errori. Sono lontane ormai le presentazioni integerrime del Pippo nazionale. La serata si apre a suon di valzer tra la Canalis e la Rodriguez (che per l'occasione si è trasformata in una Barbie) e tra tutta la gente fuori dall'Ariston. Microfoni sempre accesi, anche dietro le quinte, in questa semifinale dove trionfano i duetti. In assoluto è la serata del Festival (in generale) che preferisco!
Dopo i convenevoli e le belle parole, parte la gara.
I primi a salire sul palco sono Barbarossa e Alonsa , che nonostante un semi-godibile siparietto con Marcorè (I hope they have paid, and so, to convince him to "duet" with the worst ever), do not give us a good time. The song is what it is (up up up in the sky, down down down into the sea but how do you !........ ????????). Then
Crush , whose "I confess" I love you now, along with a whitish Nina Zilli, one of 50,000 tears. Beautiful duet, bravo! The
fished Anna D'Alessio we smash the drums along with a co ...., 'other exhausted, the polymorphous Loredana error (strange marriage XFactor / Friends). Choice bastard.
Lillo and Greg delight us with a rather hilarious performance along with Pezzalotto , which wears a tuxedo for the occasion (the have abolished this?). Transform "the first time the song" in a rousing swing, and then return to harsh reality in the "second time" 883iano.
Tricarico for his rhyme uses a choir of children, ch certainly can sing better than him. And
'time of international guests.
enters an exuberant but very listless Monica Bellucci, which responds to non-intelligent questions of John Pater, who in the throes of an overload of testosterone tries to hug and touch, and secure states, "I'd do everything. " With international
Monicona lying on the couch came a now old and tired De Niro. He also appears listless and put them by accident. Idly responding to questions more stupid than John, tonight is really over-excited (having regard to the plays of yesterday maybe), and which therefore can be forgiven for everything tonight. You would want to hug him and kiss him, so much smiling and cheerful.
advertise the film as he sees as both star actors, Manual of Love 3 (Giovanni Veronesi), in cinemas soon. Continue the double meaning of pimp Gianni, who asks Monica characteristics that fascinates in a man: response to "the look", the eternal young man says, "If it's just for the look then we can do something. "Among the general laughter, the laughter and scorn of the two star but unworthy ends this lovely interview.
resumed the race with a more sexy Giusy Cashier accompanied by Francesco Sarcina Vibration (submitted as Sarcina by Canalis, quickly remedied by the made in Italy, Belen just got slap on the wrist!). Bel duet entries decided song more and more involving.
It 's the time of the trio Sicilian Madonia / Battiato / Carmen Consoli . She, in addition to the nauseating pink guitar, and not disappoint my expectations by far more the performance. Battiato, as usual, comes from stars, before the bridge, with its inseparable headphones and mutters something. The voice is trembling now, but it's still fascinating. The song is pretty.
include a change of scene and the other engineers across the stage not caring for the cameras, but now we lovers of the 61st Festival pass over all. We like it that way, informal and disorganized. One end of spattacolino school year.
comes the most beautiful duet of the evening: Nathalie with Aura, who with her delicate voice and purpose, contributes to a performance that truly rocks. Brave indeed. Back
de Niro, more annoyed than ever, perhaps because he knows that it expects the interview in broken English of Canalis. There is talk of this and that, in the name of nazionalpopolarità (original surname Di Niro, changed then landing in America in De Niro of his fathers [and to the people?], the film that is more connected, the European blood flowing in his veins, and various crap). Legendary Gianni when he asks as we say in English "Taxi Driver"? I love it!
In the presentation of prof. Vecchioni accompanied by PFM , Luke and Paul on the occasion to do their best wishes to their fellow De Andrè (which would have turned 71 years old), and we associate ourselves. Give us another great performance: a different musicality, more colorful rhythm to that of PFM, which also allows me to appreciate a bit 'more of the text (which fund I still banalotto). The most talked about of the year
group arrives in Sanremo: the Take That in full force, with a strafattissimo Robbie Williams (among other things, it seems that, in the afternoon, Pater Gianni has hauled them because it comes with 20 tests minutes late). Discrete performance, vented Robbie, Gary with a crop that rivals Gualazzi and others to pretend to sing. But I'm getting them! Another beautiful performance
succeed give the dialettofono Van de Sfroos with that funny guy in Irene Fornaciari (dressed by Miss Banana Ciquita!). Rhythms Mexicans / Cubans who make me better appreciate the song. Tonight I'm good. Even
of Luke and Paul seem almost comic tonight compete in a parody of "One in a thousand stand it" of their employer, the butt of consumer jokes and urging opposition to soon find a good leader, before Berlusconi takes the lead PD also profess themselves communist. Bold galore.
Placido , he inevitably starpagato to sing with Al Bano , better acting. Amanda did not take it anymore, and neither do we. Latest fashion with the
Emma accompanied by the beautiful voice of Renga (I take this opportunity to make an appeal: Who says a Renga can not write the songs alone, and that his voice is wasted those texts so vapid?). However beautiful performance, high notes like rain!
Esibitisi all Big is the turn of young people: Micaela first (attack of his song is the same as "I do not believe in miracles" of Bono, but still has a beautiful voice to the emotion does not control and repeatedly appears shaky and uncertain), then Gualazzi Raphael, the man crop, wonderful candidate to win (but powerful voice not used with great skill, when you need it and scratched the final falsetto infinity); onstage Roberto Amde (us) on which I should not say anything at all, and finally my darling Serena Abrami, which confirms good, delicate and elegant, and a text worthy of his voice. Le Iene
ridestatesi from the torpor of the first two episodes give us another curtain: over a bottle of wine to play chess and discuss the events of the premier, embodying the common feeling of the typical Italian, cheat and cheat, that justifies all the flaws of powerful (so it feels entitled to them too!). Well done, nothing to criticize (the most of Paul's hair). And after
Canalis has delighted us with his vast knowledge of the language (of prepared questions), the Rodriguez enchants us with Perfidia accompanied by dancers (always a thousand friends, Valerio Pino in the first [of the tentacles of Mary !!!]) all sorts and not cavandosela not bad in the song (certainly better than Patty Pravo).
The evening ends with the awarding of Rapahel Gualazzi that grabs with "Madness of Love" the first prize in the youth category and the critics' award Mia Martini. Deserved! My only regret is that Abraham is finished fourth. And oh well. Of the big
leave the race and Max Pezzali Tricarico, smoking and children have no pity on the audience and jury, whose decision was predominant value tonight. The family
/ disorganized team (of whose gaffes Strip and Paperissima field to life!) Wishes us good night and meet us tomorrow as Morandi is a trip in the lush bosom of Belen, in an awkward embrace. We are united, advertising.
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