E la tanto attesa finalissima è arrivata. Pare che l'Italia si sia fermata per una settimana, o per lo meno è quello che è successo a me. La vivo sempre intensamente, forse troppo.
Not much to say tonight, the worst is past!
Our team is now loose and uninhibited. Even in the awkwardness in the myriad of gaffes and errors of management. There is a song that I can present a dignified, there is no time the two tissues are not taken to suggest things in your ear. Technicians who pass, Pater Gianni forgets everything, but everything around. Luca and Paul really saved tonight. There is decent and comical. Luca mainly. I sympathize with all the fees that you can enjoy tomorrow! Despite the storm-
-televoting vote this afternoon that led to winning Roberto Vecchioni, guess who won: Roberto Vecchioni ! The most acclaimed of the first night, even by critics and orchestra, it is confirmed the winner of this 61st edition of the Italian Song Festival. The song (who followed me will know) I have never made a fool, a little too much rhetoric in the text and a little too commonplace in rhythm. But for goodness sake, if Prof. deserve victory (the speech made before the last exhibition devoted to 'love' of the song will bring more votes?). In spite of the De Filippi, Amici, the songs for girls menstruating, the repechage unworthy (see Al Bano) and the Golden Share (the mechanism of this year was more complex than the rules of a game of chess for the blind!).
has captured all: 1st prize, critical, and indeed the Golden Share (a sort of wildcard that can scale a position in the provisional standings, useless to him who was already on the podium of the three finalists), just as the Gualazzi night before.
could be a nice message for Italy: a talented young jazz musician and a fine songwriter elderly, in the two respective categories. A perfect match, a good signal (maybe) shooting of Italian music.
Runner Modà and Emma with the third or Al Bano.
shame that there were no podium or Nathalie Crush, the best performances of this festival (also Ferreri and the Van de Sfroos I liked the end, but after 5 days and then all the love for power [Tatangelo in part]!).
For the remainder of the evening took place quietly, too: the performances of the singers finish at 22 and 30. Since then, all fillers. International Speaker
none other than that Avril Lavigne . I would not be too brutal, so I contain it, but I tell you 26 years and then clothes, singing and posing as a 26 year old, you have no more !!!!!! 17 A painful song, which definitely was not felt the need for the international stage and a voice so shrill to want to change the channel (of course I did not do it!).
I think that instead of the one hosted Massimo Ranieri The one and only, is worth all the super reviews of previous nights. Wonderful as always, gives us with a good pater Gianni remake of their old songs. A good time, exciting.
Worthy of note are lines of Luke and Paul addressed to the Italian left, the men left and to the ideals of the left, sometimes too much abused and not included in the fund. A bit 'shabby bipartisan satire of this thing, and that Luke does not tell me that he says what he thinks of such a satire and did not give give a fuck! Meanwhile, to come in from Mediaset and RAI should be licking a lot '!
Canalis also does a pretty good ballettino Rodriguez and sings in a pleasant (to be "a model and showgirl Argentina, occasionally also an actress and TV presenter "as Wikipedia says!) Accompanied by his musician father.
Then a slew of advertising next to the various programs including the RAI fiction with Giulio Scarpati and Nino Frassica and Dancing with the stars with the beautiful Milly Carlucci (me I wonder what to expect to have a festival to the queen!).
Here's the gist of this evening that seemed the most amateur of the whole Festival: total anarchy, every man did what he wanted, people here and there , zero suspense in the ceremony. In short, a festival that although he had some good plays, it gave us a beautiful example of professional conduct and smooth. But maybe that's why we keep a vederlo anno dopo anno. Questo cambio di conduzione annuale incuriosisce tutti noi, che aspettiamo l'inciampata di una, la gaffe dell'altro e l'errore di quello. E per questo ci è piaciuta la 61° edizione: spontaneità, ingenuità, politically correct (troppo), amatorialità. Un spettacolino di fine anno. Però ci siamo affezionati, e l'eterno ragazzo che portava il latte tale si è dimostrato: uno di noi. Che popolo contorto noi italiani!
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