I Need Money Desperately

37th Ostia February 27, 2011 Marathon runners

The Amateur Podistica power could not fail to respond to the first real big international competition del 2011.

La Roma – Ostia è da sempre un forte richiamo per i podisti di tutto il mondo e quest’anno ha fatto segnare il record di iscrizioni: 11.566 atleti. Fra essi è stata presenta la compagine potentina che non ha mancato di far sentire il suo ruggito sulla gara.

Lo scenario della competizione è suggestivo, di quelli dalle tante sfaccettature.

Si parte dall’Eur fra gli altissimi palazzi dell’epoca fascista che fanno da corollario ai laghetti. Dopo quattro chilometri si prende la via del mare dove i pini secolari sembrano sorvegliare e proteggere dall’alto quel fiume variopinto di atleti che invadono la Cristoforo Colombo. Dopo sedici chilometri il mare, miraggio dei podisti that are beginning to see the longed period of arrival. Half a mile of waterfront to go at full speed while consuming the last bit of energy and then the finish line.

A race fast, beautiful, the kind that take your breath away when you reach the limits of its capacity. This limit

have achieved all the athletes of the Amateur Podistica power, so that the result of each of them was absolutely important. All have gone beyond all expectations, as the beginning year of racing you could not wish for better.

The captain's armband for the occasion had been entrusted to the young Antonio Boccia, which has honored the best. By the time hour twenty-seven minutes and fifty seconds was the best team in Potenza. For the occasion, he has established his own record on the twenty-one kilometers.

Peter De Stefano same satisfaction that an hour and thirty-one is improved by two minutes.

Even in women, the team of President Albano has achieved a good result. The dance done to stop the clock one hour and forty-two.

However, all participants in the trip have honored the commitment Roman fisando the right plugs for a continuation of season that will be rewarding. We are confident that in 2011 each of the hundred enrolled in the Running Potenza will not fail his commitment and his sweat to best represent the colors of the company Running sample of Basilicata.

f.to Matthew Trombetta

Mount Blade The Wedding Dance Tutorial Cheat

Gaepanzattack Into the wild: 61 Festival of Italian Song - Final

E la tanto attesa finalissima è arrivata. Pare che l'Italia si sia fermata per una settimana, o per lo meno è quello che è successo a me. La vivo sempre intensamente, forse troppo.
Not much to say tonight, the worst is past!
Our team is now loose and uninhibited. Even in the awkwardness in the myriad of gaffes and errors of management. There is a song that I can present a dignified, there is no time the two tissues are not taken to suggest things in your ear. Technicians who pass, Pater Gianni forgets everything, but everything around. Luca and Paul really saved tonight. There is decent and comical. Luca mainly. I sympathize with all the fees that you can enjoy tomorrow! Despite the storm-
-televoting vote this afternoon that led to winning Roberto Vecchioni, guess who won: Roberto Vecchioni ! The most acclaimed of the first night, even by critics and orchestra, it is confirmed the winner of this 61st edition of the Italian Song Festival. The song (who followed me will know) I have never made a fool, a little too much rhetoric in the text and a little too commonplace in rhythm. But for goodness sake, if Prof. deserve victory (the speech made before the last exhibition devoted to 'love' of the song will bring more votes?). In spite of the De Filippi, Amici, the songs for girls menstruating, the repechage unworthy (see Al Bano) and the Golden Share (the mechanism of this year was more complex than the rules of a game of chess for the blind!).
has captured all: 1st prize, critical, and indeed the Golden Share (a sort of wildcard that can scale a position in the provisional standings, useless to him who was already on the podium of the three finalists), just as the Gualazzi night before.
could be a nice message for Italy: a talented young jazz musician and a fine songwriter elderly, in the two respective categories. A perfect match, a good signal (maybe) shooting of Italian music.
Runner Modà and Emma with the third or Al Bano.
shame that there were no podium or Nathalie Crush, the best performances of this festival (also Ferreri and the Van de Sfroos I liked the end, but after 5 days and then all the love for power [Tatangelo in part]!).
For the remainder of the evening took place quietly, too: the performances of the singers finish at 22 and 30. Since then, all fillers. International Speaker
none other than that Avril Lavigne . I would not be too brutal, so I contain it, but I tell you 26 years and then clothes, singing and posing as a 26 year old, you have no more !!!!!! 17 A painful song, which definitely was not felt the need for the international stage and a voice so shrill to want to change the channel (of course I did not do it!).
I think that instead of the one hosted Massimo Ranieri The one and only, is worth all the super reviews of previous nights. Wonderful as always, gives us with a good pater Gianni remake of their old songs. A good time, exciting.
Worthy of note are lines of Luke and Paul addressed to the Italian left, the men left and to the ideals of the left, sometimes too much abused and not included in the fund. A bit 'shabby bipartisan satire of this thing, and that Luke does not tell me that he says what he thinks of such a satire and did not give give a fuck! Meanwhile, to come in from Mediaset and RAI should be licking a lot '!
Canalis also does a pretty good ballettino Rodriguez and sings in a pleasant (to be "a model and showgirl Argentina, occasionally also an actress and TV presenter "as Wikipedia says!) Accompanied by his musician father.
Then a slew of advertising next to the various programs including the RAI fiction with Giulio Scarpati and Nino Frassica and Dancing with the stars with the beautiful Milly Carlucci (me I wonder what to expect to have a festival to the queen!).
Here's the gist of this evening that seemed the most amateur of the whole Festival: total anarchy, every man did what he wanted, people here and there , zero suspense in the ceremony. In short, a festival that although he had some good plays, it gave us a beautiful example of professional conduct and smooth. But maybe that's why we keep a vederlo anno dopo anno. Questo cambio di conduzione annuale incuriosisce tutti noi, che aspettiamo l'inciampata di una, la gaffe dell'altro e l'errore di quello. E per questo ci è piaciuta la 61° edizione: spontaneità, ingenuità, politically correct (troppo), amatorialità. Un spettacolino di fine anno. Però ci siamo affezionati, e l'eterno ragazzo che portava il latte tale si è dimostrato: uno di noi. Che popolo contorto noi italiani!

Can A Felon Own A Bow

Gaepanzattack: 61 Festival of Italian Song - Fourth night

E che dire signori, ormai siamo nel vivo della gara! Ormai siamo tutti una squadra, una famiglia! Si riesce a passare sopra a tutti gli incovenienti, a tutta la cattiva organizzazione, a tutti gli strafalcioni e le gaffes. Vorrei già vivere con loro, con tutti e 5. Non c'è una canzone che venga presentata senza intoppo o errori. Sono lontane ormai le presentazioni integerrime del Pippo nazionale.
La serata si apre a suon di valzer tra la Canalis e la Rodriguez (che per l'occasione si è trasformata in una Barbie) e tra tutta la gente fuori dall'Ariston. Microfoni sempre accesi, anche dietro le quinte, in questa semifinale dove trionfano i duetti. In assoluto è la serata del Festival (in generale) che preferisco!
Dopo i convenevoli e le belle parole, parte la gara.
I primi a salire sul palco sono Barbarossa e Alonsa , che nonostante un semi-godibile siparietto con Marcorè (I hope they have paid, and so, to convince him to "duet" with the worst ever), do not give us a good time. The song is what it is (up up up in the sky, down down down into the sea but how do you !........ ????????). Then
Crush , whose "I confess" I love you now, along with a whitish Nina Zilli, one of 50,000 tears. Beautiful duet, bravo! The
fished Anna D'Alessio we smash the drums along with a co ...., 'other exhausted, the polymorphous Loredana error (strange marriage XFactor / Friends). Choice bastard.
Lillo and Greg delight us with a rather hilarious performance along with Pezzalotto , which wears a tuxedo for the occasion (the have abolished this?). Transform "the first time the song" in a rousing swing, and then return to harsh reality in the "second time" 883iano.
Tricarico for his rhyme uses a choir of children, ch certainly can sing better than him. And
'time of international guests.
enters an exuberant but very listless Monica Bellucci, which responds to non-intelligent questions of John Pater, who in the throes of an overload of testosterone tries to hug and touch, and secure states, "I'd do everything. " With international
Monicona lying on the couch came a now old and tired De Niro. He also appears listless and put them by accident. Idly responding to questions more stupid than John, tonight is really over-excited (having regard to the plays of yesterday maybe), and which therefore can be forgiven for everything tonight. You would want to hug him and kiss him, so much smiling and cheerful.
advertise the film as he sees as both star actors, Manual of Love 3 (Giovanni Veronesi), in cinemas soon. Continue the double meaning of pimp Gianni, who asks Monica characteristics that fascinates in a man: response to "the look", the eternal young man says, "If it's just for the look then we can do something. "Among the general laughter, the laughter and scorn of the two star but unworthy ends this lovely interview.
resumed the race with a more sexy Giusy Cashier accompanied by Francesco Sarcina Vibration (submitted as Sarcina by Canalis, quickly remedied by the made in Italy, Belen just got slap on the wrist!). Bel duet entries decided song more and more involving.
It 's the time of the trio Sicilian Madonia / Battiato / Carmen Consoli . She, in addition to the nauseating pink guitar, and not disappoint my expectations by far more the performance. Battiato, as usual, comes from stars, before the bridge, with its inseparable headphones and mutters something. The voice is trembling now, but it's still fascinating. The song is pretty.
include a change of scene and the other engineers across the stage not caring for the cameras, but now we lovers of the 61st Festival pass over all. We like it that way, informal and disorganized. One end of spattacolino school year.
comes the most beautiful duet of the evening: Nathalie with Aura, who with her delicate voice and purpose, contributes to a performance that truly rocks. Brave indeed. Back
de Niro, more annoyed than ever, perhaps because he knows that it expects the interview in broken English of Canalis. There is talk of this and that, in the name of nazionalpopolarità (original surname Di Niro, changed then landing in America in De Niro of his fathers [and to the people?], the film that is more connected, the European blood flowing in his veins, and various crap). Legendary Gianni when he asks as we say in English "Taxi Driver"? I love it!
In the presentation of prof. Vecchioni accompanied by PFM , Luke and Paul on the occasion to do their best wishes to their fellow De Andrè (which would have turned 71 years old), and we associate ourselves. Give us another great performance: a different musicality, more colorful rhythm to that of PFM, which also allows me to appreciate a bit 'more of the text (which fund I still banalotto). The most talked about of the year
group arrives in Sanremo: the Take That in full force, with a strafattissimo Robbie Williams (among other things, it seems that, in the afternoon, Pater Gianni has hauled them because it comes with 20 tests minutes late). Discrete performance, vented Robbie, Gary with a crop that rivals Gualazzi and others to pretend to sing. But I'm getting them! Another beautiful performance
succeed give the dialettofono Van de Sfroos with that funny guy in Irene Fornaciari (dressed by Miss Banana Ciquita!). Rhythms Mexicans / Cubans who make me better appreciate the song. Tonight I'm good. Even
of Luke and Paul seem almost comic tonight compete in a parody of "One in a thousand stand it" of their employer, the butt of consumer jokes and urging opposition to soon find a good leader, before Berlusconi takes the lead PD also profess themselves communist. Bold galore.
Placido , he inevitably starpagato to sing with Al Bano , better acting. Amanda did not take it anymore, and neither do we. Latest fashion with the
Emma accompanied by the beautiful voice of Renga (I take this opportunity to make an appeal: Who says a Renga can not write the songs alone, and that his voice is wasted those texts so vapid?). However beautiful performance, high notes like rain!
Esibitisi all Big is the turn of young people: Micaela first (attack of his song is the same as "I do not believe in miracles" of Bono, but still has a beautiful voice to the emotion does not control and repeatedly appears shaky and uncertain), then Gualazzi Raphael, the man crop, wonderful candidate to win (but powerful voice not used with great skill, when you need it and scratched the final falsetto infinity); onstage Roberto Amde (us) on which I should not say anything at all, and finally my darling Serena Abrami, which confirms good, delicate and elegant, and a text worthy of his voice. Le Iene
ridestatesi from the torpor of the first two episodes give us another curtain: over a bottle of wine to play chess and discuss the events of the premier, embodying the common feeling of the typical Italian, cheat and cheat, that justifies all the flaws of powerful (so it feels entitled to them too!). Well done, nothing to criticize (the most of Paul's hair). And after
Canalis has delighted us with his vast knowledge of the language (of prepared questions), the Rodriguez enchants us with Perfidia accompanied by dancers (always a thousand friends, Valerio Pino in the first [of the tentacles of Mary !!!]) all sorts and not cavandosela not bad in the song (certainly better than Patty Pravo).
The evening ends with the awarding of Rapahel Gualazzi that grabs with "Madness of Love" the first prize in the youth category and the critics' award Mia Martini. Deserved! My only regret is that Abraham is finished fourth. And oh well. Of the big
leave the race and Max Pezzali Tricarico, smoking and children have no pity on the audience and jury, whose decision was predominant value tonight. The family
/ disorganized team (of whose gaffes Strip and Paperissima field to life!) Wishes us good night and meet us tomorrow as Morandi is a trip in the lush bosom of Belen, in an awkward embrace. We are united, advertising.

Wikipedia: Brazillian

Gaepanzattack: 61 Festival of Italian song - Second evening

following the successful elimination (for now) ex-girlfriend of the suburbs, now a woman (Tatangelo) and Albanian from the confused thoughts (Oxa), we promises a second evening of the good music all Italian! Yes, of course, if you remove other seven or eight of them!
Against my prophecy, the ratings surpassed those of the first night of Antonellinazionale. Merit Gianni, songs, the (show) girls? Okay curiosity led them to the Italian press that button and stay glued in front of the screen throughout the evening. Maybe sleeping, but tuned.
Controversy aside: the show begins with a wonderful transposition of the Disney animated feature "Fantasia", with the conductor (but his teeth?) In the guise of the apprentice sorcerer, committed to driving music, lights and dancers.
Pater Gianni enters into a ball, a ball better (iconization of his Festival?). Worthy of respect and wonder is the set of the now unreachable Castelli.
first enter the tissues, valleys ops, ops co-presenters, are polished and brilliant as ever. If you do not do this! The boys arrive later tonight, but maybe not a bad thing. Reservoir Dogs compete in a medley of Morandi songs, which is nice. The
run, however, is more relaxed than yesterday, everyone seems a tad bit more capable, the rest are a team. Leitmotiv is pounding, "remain united", also used as a signal to send the advertising director, "we wait for the sound," the jury voted. "
The musical content is of course always the one the night before.
The playback, however, has lead to a further awareness: the song of Patty (called "Bravo" to Paul, or Luke, the highest short!) Is not bad but she is not addressed, off-key start to finish , despite the undeniable charm, that of Nathalie , despite a text a little convoluted, it reconfirms the original and delicate Madonia / Battiato we like, and the song well; Van de Sfroos seems more and more equal to Modena City Remblers; Pezzali does not know how to dress; Al Bano in my opinion falls a bit 'in the ridiculous Tricarico can not sing, standing ovation for Vecchioni, not too well deserved, as the text, despite having a life and an important message, is expressed in a way to say very trivial, and Emma Modà seem to mate on the stage; Barbarossa and his wife (Stone) Alonso = NC; of Crush I get sick il ritornello, e riconfermo l'aura retrò; la Ferreri ogni tanto non ci arriva.
In mezzo a questa turba di menestrelli arriva il grande Andy Garcia , il motivo della cui presenza appare ancora oscuro ai più (l'anno scorso a quell'ora c'era Rania di Giordania e la Clerici le chiedeva la ricetta dei biscotti, trash puro!). Dopo un'intervista inutile, si cimenta al piano in una ballata dai ritmi cubani (sua terra d'origine, richiedendone la libertà!). Parte quello che dovrebbe essere un duetto, ma l'attacco di Gianni è a dir poco imbarazzante: sbaglia tutto il testo spagnolo producendo un cacofonico ed esilarante scioglilingua. E tra un " bombo " ripetuto ad libitum, una sculettata Belen ending the most beautiful moment of the evening. While Hurley flaunts
broken English (note the alliterazione!), The curtain Luca & Paul reveals the most embarrassing ever. Pretend (safe?) Make fun of the good turn Saviano, and Santoro also Fini, Cordero di Montezemolo and the Pope, while the background dominates the spectrum of Berlusca. Avoidable and servile scene. The Rodriguez sings "Malo", all based on Latin rhythms this year!
I will not dwell on the other star (?) International Eliza Doolittle because there's nothing to say.

While you count the votes of the "big" is the time of young people. As a matter of San Remo wants, the last 50 minutes are all all for them. Just when most are sleeping in front of the screen.

All young people but not for this little-known and especially the parts not at all unusual, but where is the rule that there was the absolute silence on the pieces before the stage of the Ariston dubutto?

Serena Abrami : Marche, a former competitor of XFactor, beautiful and elegant. Sounds fine and delicate tone for a text written by Niccolo Fabi, "Away from it all." Not bad, although I'm biased since I'm a fan of the first hour. I need more plays though. The fact is that with the "package" as well put together could not move the shift. The other

admitted to the next step is Gualazzi Raphael, who is also the Marches. He achieved some notoriety to the sound of jazz, with its rhythms and a highly original talent on the floor that are the envy of the orchestra and the pianist who has bewitched Caterina Caselli that produces it. "Madness of Love" is her song, composed and written by him, allowing him to reach the fellow. The other two contenders are Gabriella Ferrone, fairly anonymous and with a piece inutilino and Anansi, young rasta everything that has led for the first time Ariston reggae rhythms, but that does not involve the jury demoscopichina (ina, ina ).

is not the case spend too many words on the curtain of Paul and Luke, who emulated (Malin) a duo of Ric and Gian, because the same art director during yawning. And since we are Hot, and since we are now third in the evening, via the ass and tits with the Pole dance (to the face of the event last Sunday's women-good!). At least they were not anorexic. And no yawning, especially the jury in pigeon. Other than the songs: all ppe Chiu Pilu! (Cited).

The only good news is that Al Bano and Patty Sanremo, for now, is over. (Al Bano is liberooooooooo!)

And from a careful reading of the hunchback (woe to improvise, you might look too professional!) e una spintarella tra le girls, la nostra squadra di presentatori ci augura la buona notte.